etienne le coquil


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"Among the many novel ideas which the discovery of Photography has suggested, is the following rather curious experiment or speculation. I have never tried it, indeed, nor am I aware that any one else has either tried or proposed it, yet I think it is one which, if properly managed, must inevitably succeed. When a ray of solar light is refracted by a prism and thrown upon a screen, it forms there the very beautiful coloured band known by the name of the solar spectrum. Experimenters have found that if this spectrum is thrown upon a sheet of sensitive paper, the violet end of it produces the principal effect: and, what is truly remarkable, a similar effect is produced by certain invisible rays which lie beyond the violet, and beyond the limits of the spectrum, and whose existence is only revealed to us by this action which they exert. Now, I would propose to separate these invisible rays from the rest, by suffering them to pass into an adjoining apartment through an aperture in a wall or screen of partition. This apartment would thus become filled (we must not call it illuminated) with invisible rays, which might be scattered in all directions by a convex lens placed behind the aperture. If there were a number of persons in the room, no one would see the other: and yet nevertheless if a camera were so placed as to point in the direction in which any one were standing, it would take his portrait, and reveal his actions. For, to use a metaphor we have already employed, the eye of the camera would see plainly where the human eye would find nothing but darkness. Alas! that this speculation is somewhat too refined to be introduced with effect into a modern novel or romance; for what a dénouement we should have, if we could suppose the secrets of the darkened chamber to be revealed by the testimony of the imprinted paper."
- William Henry Fox Talbot, A Scene in a Library, in The Pencil of Nature, 1844.


Text by Camille Clair about Lutz Bacher in relation to the study of acting: https://welcometochiaromonte.com/en/long-read/the-given


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Seb and the natural wine bar's pet, so cute -100626

so beautiful

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Would you say this artwork is rather like sugar or a pair of leather shoes?


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so cute£%*¨_°#1234567890°¨*%£+/, Muyeong Kim, Camille Clair and I, pics by Arnaud Ferron -050626

Best organ house of all time

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Wrapped organ in that church in the 16e -300526

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Please take notes, Peter Doig at la Maison La Roche, Fondation Le Corbusier. Saturday with Arnaud ^^ -300526

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"My Little Paris" open studio by Arnaud Ferron at Cité des Arts. Watching Notre Dame upside down.. live... crazy -270526

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Louis Hay so hot on the Pont du Carrousel -260526

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Made me want to get locked up inside the eel black box! Show by Muyeong Kim and Louis-Léopold Boilly at Abraham & Wolff Paris -260526

meds with Louis -240526

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Musée de Préhistoire d'Ile-de-France with Ida Doutriaux, Sébastien Staels and Léon Nullans -240526

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Marianna Escobar at the opening ^^ -230526

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Text I wrote on my work "You are Just like Me" shown at Komplex Gallery in Seoul last January.

Untitled
Untitled
2025, C-type print on paper in plastic shelf, https://www.youtube.com/watch?v=sQ34NySXEhY, variable dimensions.
Städelschule, Frankfurt am Main, Germany.
Photo credit: Etienne Le Coquil

Untitled (Nostalgie Artficielle)
Untitled (Nostalgie Artificielle)
2025, C-type print on mat paper, not framed yet.

Untitled (pt.1) Untitled (pt.1)
Untitled (pt.1)
2025, C-type print on mat paper in artist frame, 72 x 59 x 1cm.
Städelschule, Frankfurt am Main, Germany.
Photo credit: Etienne Le Coquil

Untitled II Untitled II
Untitled II
2023, video on Nintendo Switch, 24 x 10 x 3 cm, no sound, 6:10 loop.
Delfina Foundation, London, United Kingdom.
Photo credit: Augustine Parades

Arson
Arson
2022, wood shavings, yoga mat, silicon, sofa, Nintendo Switch, Sunscreens, 686 x 686 x 343 cm.
Rietveld Pavilion, Gerrit Rietveld Academie, Amsterdam, The Netherlands.
Photo credit: Etienne Le Coquil & Tom Dulou

Complex
Complex
2020, ink on styrofoam, 180 x 250 x 5 cm.
Villa Arson, Nice, France.
Photo credit: Etienne Le Coquil

Immaculate Immaculate
Immaculate
2020, wood, ceramic tiles, silicone, sunflower oil, Damien Troadec, variable dimensions, projection, sound, 40:00.
Villa Arson, Nice, France.
Photo credit: Etienne Le Coquil

mother
Rose
2020, pork gelatin, 29 x 20 x 20 cm.
Villa Arson, Nice, France.
Photo credit: Etienne Le Coquil

(b. 1999, Villeneuve-Saint-Georges, France) live and work in Paris. I studied at the Städelschule in Frankfurt-am-Main with prof. Haegue Yang until 2025, at the Gerrit Rietveld Academie in Amsterdam until 2022, and at the Villa Arson in Nice until 2020. My work has been presented in venues such as Komplex Gallery (Seoul, 2026) Kunstistituut Melly (Rotterdam, 2025), Vietnam Art Collection (Hanoi, 2025), La Grainaterie Centre d’art (Houilles, 2025) Delfina Foundation (London 2023); Center for Contemporary Art (Karlsruhe, 2023) and Zone2Source, (Amsterdam 2021).



etiennelecoquil@proton.me


Find me in Vienna for my birthday. I'll be starring in Camille Clair's play "The Martyrdom of Saint Rufina" with Tristan Hickey and Emre Özakat.

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Poster by Nicolas Ceccaldi.